erik
blits
http://www.blits.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Jowi
Schmitz
http://www.jowischmitz.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
20diep is een studio voor (tekst)schrijvers, de uitvalsbasis van Willemijn de Jonge en Jowi Schmitz. Willemijn schrijft veel over vormgeving en de creatieve industrie, Jowi over cultuur en human interest. Jowi schrijft ook romans en kinderboeken. Bij 20diep zitten soms ook ‘zwervers’: kunstenaars en makers die met een mooi project bezig zijn, wat ruimte zoeken en tijdelijk bij ons aanschuiven. Die afwisselende bezetting houdt het dynamisch.
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Ela (Elzbieta)
Bauer
www.klimt02.net/jewellers/ela-bauer
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
Krien
Clevis
http://krienclevis.com/
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
Krien Clevis has been active as an artist, researcher and curator.
As a lecturer in the Arts Faculty Maastricht, she teaches Artistic Research in the Fine Arts (BFA/MFA) department.
She is involved in a post-doc project at the Lectureship Autonomy and Public Sphere in the Arts at the same faculty.
Here she developped an artistic research project, TRANSITION ZONE, where young artists, in collaboration with stakeholders of the transformation process the ENCI-area, do research in this area.
In Rome she has performed research on the Via Appia Antica, in collaboration with archaeological researchers from Radboud University Nijmegen and the Royal Dutch Institute in Rome.
She earned a PhD by writing a dissertation, entitled 'LOCVS. Memory and Transience in the Representation of Place: From Italic Domus to Artistic Environment' (Amsterdam: Jan de Jong/De Buitenkant, 2013,
ISBN: 978 94 90913 38 0).
This PhD project was devoted to artistic research of the notion of quality of ‘place’, through a consideration of archaeological and other debates on place and study of the physical and qualitative features of place, especially in historical sites.
As an artist she creates new places of meaning: places caught within a dynamics of change and subject to being overwritten all the time.
Major concepts in her research are genius loci, palimpsest and lieux de mémoire. By combining artistic, historical/archaeological and personal exploration of locations, she aims to add new meanings to the multi-layered dimension of places.
Marco
Cops
http://www.marcocops.nl/
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Photography and projects in public space
Karin
Dam
http://www.karinvandam.com
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
Dingeman
Deijs
http://www.dingemandeijs.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Annegien
Doorn
http://www.annegienvandoorn.com
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
Philippa Edwards
Kech Edwards
http://kechedwards.blogspot.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Kech Edwards is an artistic collaboration between textile artist Sabin Kech and glass artist Philippa Edwards.
The collaborative works of Kech Edwards can be likened to a magnifying glass that scrutinizes our domestic surroundings, taking special notice of the commonplace that’s often overlooked or disregarded. Through the lens of their chosen disciplines – Sabin’s education and experience in textile and colour and Philippa’s in glass – the resulting artworks have a fragile quality and a strange familiarity. They are objects which are recognisable to the observer and yet difficult to place.
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Annabel Howland
http://www.annabelhowland.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
For more information, see www.annabelhowland.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Erik
Odijk
http://www.erikodijk.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Ratera
A Meteorite named Erika
Gathering of Memorial stones
Mimicrae
Holodeck
Erik Odijk’s artistic stance is a Romantic one. He cites Richard Long as an important artistic reference. His own oeuvre is a reflection of the individual experience, especially of nature, and attempts to reproduce it. Yet it is saturated with awareness of the impossibility of doing so, of the radical boundary that separates an intense experience from the act of communicating it.
Retreating into nature, and the longing to become one with it, are hallmarks of classic Romanticism.
The Romantic era saw the rise of a new paradigm in which a consensus based on rational thought was usurped by the idea of difference, and the acceptance of difference, based on personal sensation. But the discovery of an individual sensual and emotional world by poets, philosophers and artists, had a strongly reflective component. People were fascinated by the realm of sensation, a zone where, unencumbered by ratio, one might experience freedom. At the same time they were well aware that, in that world, the individual moved ever closer to his own personal precipice; as was illustrated by the character Lenz in the 1832 novella by Georg Büchner, who, submitting totally to his emotions (and hence nature) finds them irresistible yet eventually fatal. Lenz is a warning to us. As in the Romantic era, artists of today embrace the notion of the Romantic but preserve a little distance from it. In his nature walks, Erik Odijk knows where the precipice lies, because it has a safety railing. His oeuvre raises the question of the part played by the romanticism of nature, and makes it clear why even today we cannot manage without it.
Antoine
Peters
http://www.antoinepeters.com
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Ratera
A Meteorite named Erika
Gathering of Memorial stones
Mimicrae
Holodeck
Wooden floor dress, 2014
antoine_peters-The_Lenticular_Dress_1_2014.jpg
Yak, project Zeeuws Museum, 2016
Looong sleeve, 2015
A Sweater For The World, 2006-now
Kidscase, 2016
Kidscase, 2016
Kidscase, 2016
Started on the catwalk of Amsterdam Fashion Week Antoine Peters’ expressions developed in the most broad sense of it’s meaning. Naturally evolved into a creative studio, nowadays his work shifts within fashion, art and architecture, in which the relationship towards fashion, clothing and the human body are a binding factor. Ranging from wearable to totally unwearable and from industrial to handmade, his idea’s result in a world were product-design, print-design and art installations go hand in hand.
Valued for his exploring designapproach he often stretches the concept of fashion and sometimes takes this very literally. Playing with perception is an important theme in Peters’ work. The space around the garment - the interaction and communication - is just as important as the piece of clothing itself. Clothing that (optically) changes when the viewer or the wearer move or pieces of cloth which more and more stretches itself beyond the body, and sometimes even literally occupies the space single-handedly.
According to Antoine Peters fashion, art and design are optimism. And his expending universe is about spreading a little smile.
Marjo
Postma
http://www.marjopostma.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Ratera
A Meteorite named Erika
Gathering of Memorial stones
Mimicrae
Holodeck
Wooden floor dress, 2014
antoine_peters-The_Lenticular_Dress_1_2014.jpg
Yak, project Zeeuws Museum, 2016
Looong sleeve, 2015
A Sweater For The World, 2006-now
Kidscase, 2016
Kidscase, 2016
Kidscase, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Before Marjo Postma went to the Rijksacademy she studied TEHATEX, a teacher training for drawing and textiles. After two years Rijksacademy she won the Prix de Rome prize for Free Grafics. The images that Marjo Postma ‘captures’ in her work are the report of her dreams, adventures and encounters, of what her eyes see and her spirit fabricates. Captured images, not clearly realistic, but adapted, deluted, thickened, halved, cut, stretched, diminished, detoured, enlarged, flattened join together on paper or canvas. Her thoughts wander and weave and what she sees she adapts in her own style: recognisable forms will be seen as details in a new form, constructions can become living creatures. A fishmarket, a salamander, a power socket, coral, a fat belly, jellyfish or a Roman arch, the motives intertwine and create a new total, the mostly organic fantasy world unfastens from reality. Looking at her work, you can travel into a new world, with no directions, no beginning and no end. For her drawing is like thinking with the pencil, traveling in the endless ocean, where the fantasy has no limits.
Petra van der
Steen
http://www.petravandersteen.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Ratera
A Meteorite named Erika
Gathering of Memorial stones
Mimicrae
Holodeck
Wooden floor dress, 2014
antoine_peters-The_Lenticular_Dress_1_2014.jpg
Yak, project Zeeuws Museum, 2016
Looong sleeve, 2015
A Sweater For The World, 2006-now
Kidscase, 2016
Kidscase, 2016
Kidscase, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Three Monkeys, 2015
De Voorzitter (The President), 2016
Singing Lessons, 2013
Unisex is ook sex (Unisex is also sex), 2014
katja van
stiphout
http://www.katjavanstiphout.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Ratera
A Meteorite named Erika
Gathering of Memorial stones
Mimicrae
Holodeck
Wooden floor dress, 2014
antoine_peters-The_Lenticular_Dress_1_2014.jpg
Yak, project Zeeuws Museum, 2016
Looong sleeve, 2015
A Sweater For The World, 2006-now
Kidscase, 2016
Kidscase, 2016
Kidscase, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Three Monkeys, 2015
De Voorzitter (The President), 2016
Singing Lessons, 2013
Unisex is ook sex (Unisex is also sex), 2014
Poster for ICK, Emio Greco & Pieter C. Ccholten, 'Para | diso revisited', 2017.
Poster for Ballet National de Marseille, 'Le Corps du Ballet', 2015
Poster for Toneelgroep Amsterdam, 'Tamtam', 2005
Poster for K_nstvl___ Festival 'PLAYTIME', 2017
Book design for Elspeth Diederix 'THINGS - AS THEY ARE' (cover), 2012
Poster for Kunstvlaai6, 2008
Studio Katja van Stiphout – Graphic Design is based in Amsterdam since 1998.
Marianne
Wagemaker
www.mariannewagemaker.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Ratera
A Meteorite named Erika
Gathering of Memorial stones
Mimicrae
Holodeck
Wooden floor dress, 2014
antoine_peters-The_Lenticular_Dress_1_2014.jpg
Yak, project Zeeuws Museum, 2016
Looong sleeve, 2015
A Sweater For The World, 2006-now
Kidscase, 2016
Kidscase, 2016
Kidscase, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Three Monkeys, 2015
De Voorzitter (The President), 2016
Singing Lessons, 2013
Unisex is ook sex (Unisex is also sex), 2014
Poster for ICK, Emio Greco & Pieter C. Ccholten, 'Para | diso revisited', 2017.
Poster for Ballet National de Marseille, 'Le Corps du Ballet', 2015
Poster for Toneelgroep Amsterdam, 'Tamtam', 2005
Poster for K_nstvl___ Festival 'PLAYTIME', 2017
Book design for Elspeth Diederix 'THINGS - AS THEY ARE' (cover), 2012
Poster for Kunstvlaai6, 2008
Chaos maar de steen blijft rustig
Ik neem je mee, 2016
Geranium
Paulina, 2016
Discipline vrij schilderen/tekenen, portretten en sculptures van draad.
Momenteel werk ik aan installatie van geraniums.
Docent bij Kunst en Educatie
Walter
Russ
http://www.wall-russ.com
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Ratera
A Meteorite named Erika
Gathering of Memorial stones
Mimicrae
Holodeck
Wooden floor dress, 2014
antoine_peters-The_Lenticular_Dress_1_2014.jpg
Yak, project Zeeuws Museum, 2016
Looong sleeve, 2015
A Sweater For The World, 2006-now
Kidscase, 2016
Kidscase, 2016
Kidscase, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Three Monkeys, 2015
De Voorzitter (The President), 2016
Singing Lessons, 2013
Unisex is ook sex (Unisex is also sex), 2014
Poster for ICK, Emio Greco & Pieter C. Ccholten, 'Para | diso revisited', 2017.
Poster for Ballet National de Marseille, 'Le Corps du Ballet', 2015
Poster for Toneelgroep Amsterdam, 'Tamtam', 2005
Poster for K_nstvl___ Festival 'PLAYTIME', 2017
Book design for Elspeth Diederix 'THINGS - AS THEY ARE' (cover), 2012
Poster for Kunstvlaai6, 2008
Chaos maar de steen blijft rustig
Ik neem je mee, 2016
Geranium
Paulina, 2016
Logo
Chikako
Watanabe
http://www.chikahome.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Ratera
A Meteorite named Erika
Gathering of Memorial stones
Mimicrae
Holodeck
Wooden floor dress, 2014
antoine_peters-The_Lenticular_Dress_1_2014.jpg
Yak, project Zeeuws Museum, 2016
Looong sleeve, 2015
A Sweater For The World, 2006-now
Kidscase, 2016
Kidscase, 2016
Kidscase, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Three Monkeys, 2015
De Voorzitter (The President), 2016
Singing Lessons, 2013
Unisex is ook sex (Unisex is also sex), 2014
Poster for ICK, Emio Greco & Pieter C. Ccholten, 'Para | diso revisited', 2017.
Poster for Ballet National de Marseille, 'Le Corps du Ballet', 2015
Poster for Toneelgroep Amsterdam, 'Tamtam', 2005
Poster for K_nstvl___ Festival 'PLAYTIME', 2017
Book design for Elspeth Diederix 'THINGS - AS THEY ARE' (cover), 2012
Poster for Kunstvlaai6, 2008
Chaos maar de steen blijft rustig
Ik neem je mee, 2016
Geranium
Paulina, 2016
Logo
Language in Paradise
Born in Kariya, Japan, 1969
Lives and works in Amsterdam, The Netherlands
Carine
Wintermans
http://www.carinewintermans.nl
Woning in Amsterdam, 2001
KNSM-werf Amsterdam, 2009
Badkamer in Amsterdam, 2006
Woning in Amsterdam, 2004
Bezoekerscentrum Oostvaardersplassen, 2009
Planeten
 SCOPE CARS Nieuwegein (NL), 2010
SCOPE CALAIS (FR), refugees camp The Jungle, 2016
SCOPE ANKARA (TR), Bazar ‘dress’ Ulus, 2015
SCOPE ANKARA (TR), Ulus, 2014
SCOPE ANKARA (TR), Kizilay, TKP/Erdohan, 2013
SCOPE BORDEAUX (FR), 2007
 ‘SCRATCH’ ANKARA, public art project with illegal street sellers
Collapsible Citysystem
H-dingeman_deijs-olifantenbrug.jpg
Installatie
The Conservator, tile tableau, 104cm x 78cm
Producers Parasites Hosts, Pompgemaal, Den Helder, 2014
Ratera
A Meteorite named Erika
Gathering of Memorial stones
Mimicrae
Holodeck
Wooden floor dress, 2014
antoine_peters-The_Lenticular_Dress_1_2014.jpg
Yak, project Zeeuws Museum, 2016
Looong sleeve, 2015
A Sweater For The World, 2006-now
Kidscase, 2016
Kidscase, 2016
Kidscase, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Drawing, 70 x 100 cm, no title, 2016
Three Monkeys, 2015
De Voorzitter (The President), 2016
Singing Lessons, 2013
Unisex is ook sex (Unisex is also sex), 2014
Poster for ICK, Emio Greco & Pieter C. Ccholten, 'Para | diso revisited', 2017.
Poster for Ballet National de Marseille, 'Le Corps du Ballet', 2015
Poster for Toneelgroep Amsterdam, 'Tamtam', 2005
Poster for K_nstvl___ Festival 'PLAYTIME', 2017
Book design for Elspeth Diederix 'THINGS - AS THEY ARE' (cover), 2012
Poster for Kunstvlaai6, 2008
Chaos maar de steen blijft rustig
Ik neem je mee, 2016
Geranium
Paulina, 2016
Logo
Language in Paradise
Vertigo, 2016, oil on canvas
Stilleven, 2007, oil on canvas
Soundscape, 2000, oil on canvas
Bluebird, 2015, oil on canvas